Revisiting the Rijksmuseum

Work went super fast this morning and at noon, I had an 1.5 hours left to do. I was torn between finishing and then heading later to the Rijksmuseum, or going to the Rijksmuseum for a few hours as a break, then coming home to finish. The latter choice felt more logical as I would have a solid four hours to see the museum. I suspected I only needed to spend two hours there, but I didn’t know how bad the queue would be to get in. Since the job was easy and I’m so well rested these days, I could finish up at my leisure before a later dinner.

It was really cold today, with frost on the grass in the square outside my flat and at the park I cut across to get to the Museum Quarter. Rather pretty!

I wandered around the Museum Quarter for a bit and found a street lined with stores featuring expensive designers.

The Chanel store was rather pretty, faced with clear green glass tiles.

There are a bunch of food stands on the plaza between the Van Gogh Museum and the Rijksmuseum. I’ve been pricing burgers for a bit and the burger I got here wasn’t cheap at 6 euros, but it was decent value for Amsterdam and tasty. It got cold fast, though! 🙂

I went next door and got a cafe cortado, which came with little cookies exactly like I fell in love with at the Mediterranean place in Sarajevo, and which was just 2.10 euros! I would never have guessed I’d find the best value of coffee so far in Amsterdam right on the Museumplein.

The lineup to get into the Rijksmuseum was interminable, a sharp contrast to the day I took this picture:

I got into the special line for folks who don’t need to go to the ticket desk. It wasn’t nearly as long as the regular line and it moved much more quickly. Can’t say the same for the coat check line and I kicked myself for forgetting I could have gotten a locker instead.

Since I’d already done a fast tour of the Rijksmuseum, I had a much better and more efficient plan of attack for today. I first headed to the special ground floor exhibits. I had no trouble getting in a second time with my Museumkaart, but some folks with a different card were told they had to get a ticket since their card was not scannable. The ticket was free, but they could not jump the queue to get it. I was devastated for them.

Like in so many museums, you can’t use a flash at the Rijksmuseum, so I’m going to try to be discerning and not show too many blurry ones.

So The ground floor has exhibits from 1100 to 1600, as well as special exhibits, where I started.

The first special exhibit I visited was the model ships. These were built true to life at miniature scale in the 19th century, a time when the technology of shipbuilding was growing in leaps and bounds thanks to such inventions as the steam engine. These scale models could be used to explain innovations to a lay person and to aid in the building of the full size models.

This is the figurehead from the frigate Prins van Oranje. As you can see, it’s a man in full armour.

A lighthouse model:

I wasn’t that interested in the gun gallery (armoury), but I learned that “the Netherlands was once a leading centre for the production and trade of arms.” I have to say that some of the guns were works of art.

Then, I went to the pottery exhibit, one of my favourite parts of the whole museum. It’s actually broken into two parts, with other exhibits mixed in.

Blue and orange together make me happy.

This coffee and tea service shows that the application of enamel colours to porcelain was still a great challenge in the 1700s as evidenced by the fact that some of the pieces are more purple than pink.

This was an interesting object. It is a necklace made of four pieces of stovepipe. Surely meant as a concept and not something to wear!

The musical instruments were also works of art. They were mixed in with a few other exhibits as well.

Love this bat pin.

And the dragonfly pin. Lovely detail on the comb.

A group of violins.

The lute (I think) that has a face is a hoot!

One of the things that enchanted me on my first visit was the Magic Lantern exhibit. These were the earliest forms of modern projectors. Images on plates of glass were projected. When the plates were changed in rapid succession, you got a moving picture. Very cool! They date back to the mid-1600s!

Here are some magic lantern plates.

We got to see one in motion. The arms on this windmill appeared to be moving.

I then went into the Delftware (blue on white) exhibit, which had tiles and other decorative objects as well as practical items.

This is a roulette board.

This tile panel with a vase of flowers would have been fitted into a fireplace to give it interest when there was no fire burning.

I loved this dish with pomegranates and grapes because of the unusual colour choices the painter made. The grapes are orange and the pomegranates are blue and white.

This is a game box.

This is a beaker of ice glass, “an effect achieved by plunging the blown glass while still white-hot into cold water in order to produce cracks. When the glass is reheated and blown further, these cracks get bigger.”

There was a display of boxes.

Locks and keys:

There was an exhibit all about miniature silver things. Here are some mocked up in a dollhouse:

“Around 1700, porcelain vases of this size were extremely rare and prestigious.”

Coming back out of the model ships, I spotted this one. See the little figures on the deck? They are holograms! They were 3D and moving around. I’d never seen anything like it.

Next up was the exhibit about the Middle Ages, which I was not impressed with when I went through last time as it’s all religious art and objects. Yes, I know that was the theme of the day, but there was art that showed common life as well. So I rather blipped through this part of the museum.

Loved the colours on this painting:

A scene depicting the St. Elizabeth Day Flood.

The only known portrait of a black man in early European painting. He may have been been one of Charles the V’s archers, Christophie le More.

The ground floor of the Rijksmuseum has a picnic area for school groups and those with their own lunches. Look at that vaulted ceiling!

The Asian exhibit is tucked way in the back on its own. I don’t think people would know it’s there unless they studied the floor plan.

I loved the exhibit of kimonos.

This one was particularly unusual.

I was really impressed with this figure on my first visit. Look at the eyes!

I love Japanese pottery.

The museum has modern parts added to the old. So this would have been an exterior wall once upon a time.

Behind it was an exhibit of interesting photographs that did not photograph well. They were of collages of objects. The effect had a  3D texture that seemed innovative.

I would later see many more cabinets in this style. I think this is my favourite.

I headed up this back, almost secret, staircase to see the exhibits from 1700 to 1900.

There was a very cool light fixture that would “blossom” as it dropped down.

I wasn’t the only one who as mesmerised by it!

The staircase is really lovely. Shame its hidden away in a corner like that.

I watched the lights from the top for a bit.

Hope you can play this video!

There was more Asian pottery in the stairwell.

Next up was an exhibit of taxidermy about all the exotic critters Dutch explorers encountered.

Boa constrictor:

Capybara, an animal that is so exotic to me it might as well be a unicorn.

A llama.

So soft! I can now understand what all the fuss is about petting llamas!

Yes, that was allowed! 🙂

This entire hilarious sign is worth reading.

The museum has lost a lot of its period charm outside of what was once the main entrance, but you get the odd burst of it.

An Italian scene under umbrella pines.

A scene in the Rhine Valley. I can’t believe I remember that.

Pretty goblet.

This painting reminded me of the paint by numbers “style.”

I saw a couple more Van Goghs! This is Undergrowth:

One woman and her daughter came up to this one and said it must be Van Gogh. I knew it absolutely wasn’t, so I translated the sign for them (they only spoke French). The artist was, however, inspired by Van Gogh. The mother said that it was odd how the top is classical Dutch artwork, like dark like Rembrandt, and the bottom is Van Gogh. I explained that Van Gogh started in that darker style and then moved to the lighter, so this painting was rather like looking at the evolution of Van Gogh’s style. I hope she goes to the Van Gogh Museum!

Some wandering around later, I climbed up what had once been the entrance staircase to go see the exhibits from 1600 to 1700, including the Rembrandts and the Vermeers. There is beautiful stained glass in this part of the museum.

And more vaulted ceilings.

Looking out into the main hall of the museum where you don’t need a ticket. Yes, this is an interior space.

The hall is gorgeous. I’m glad I got this picture last time as there were too many people today to make such a shot possible!

This painting depicts a breech of the dam. I love how your attention is drawn to that bright red cape billowing in the wind and conveying the drama of the scene.

Now, a hodgepodge of stuff.

Another incredible cabinet. Pretty sure this was made from hundreds of tiny pieces of wood in different colours.

Not sure if these incredible items had a function.

This enamelled violin was just a decorative object and could not be played.

Just wow…

More wow.

I would love a four-poster bed with a canopy. 🙂

Another incredible cabinet.

The painter of this red ibis with an egg was my kind of woman. Her name was Maria Sibylla Merian (1647-1717) and she was an artist and a naturalist. In 1699, when she was 52 and divorced, she and her youngest daughter sailed to Suriname!

Grey as it is, I really love the drama of this one.

Rembrandt’s famous Night Watch:

Vaulted ceiling in the great room holding the Rembrandts and the Vermeers.

Vermeer’s The Milkmaid. To be honest, I don’t remember learning about Night Watch in my art classes, but I definitely remember discussing The Milkmaid and how the milk being poured is the only sign of movement in the whole thing.

Another mosaic in the entrance hall floor.

This cheap crown was meant to be a gift for the King of Ardra on the west coast of Africa, but it never reached him.

Here is one of those box beds I saw at Rembrandt’s house, only his were proper cabinets with doors that shut.

A crib.

A map of the Iberian Peninsula. The bright blue lapis lazuli has faded to grey.

I loved these stained glass windows!

Her crooked eye is a lovely human detail.

Two oaks.

Another one of Rembrandt’s famous paintings.

Yet another magnificent linen cabinet. Just be grateful I’m not showing you them all!

William II, 14, and his bride, Mary Stuart, 9.

A hat with a bullet hole in it.

I was happy to see imperfect items on display.

Vases.

A composition of exotic fruits.

A feast of turkey pie.

The olives are so life-like.

As is the fruit.

Next, I headed upstairs to the section about 1950 to 2000, which I missed on the first trip. This is a researched and imagined view of Moscow by an artist who had never been there.

I then had to go all the way back down the way I had come, cross the museum, and go all the way back up to the exhibit about 1900 to 1950.

Love this painting.

And these vases.

A war-themed chess set.

A numbered prison coat from the Lenzig-Pettighofen concentration camp in Austria.

I rather like this piece except for the chrome legs.

A pressed glass set from the 1930s in a style that never caught on, so not many were produced.

I was done, so I rode the elevator all the way back down. Here’s the main lobby, facing the entrance to go left to the Asian exhibits.

Behind me is just a small part of the ticket line. Imagine twice as many people (at least) waiting outside! It was three by this point, so, really, I think these people are wasting their money as the museum closes at five.

Looking towards the café.

Back out in the bitter cold and needling rain.

The Rijksmuseum is a truly incredible space. The layout definitely seemed a lot more logical on this trip than my first. I just don’t like how the 1st and 2nd floors are out of order when it comes to dates, although I surmise that it was done that way so that Vermeer and Rembrandt could have the Great Hall. This is an expensive museum (17.50 euros per adult), so I recommend spending at least three hours in it. I spent about five hours total in it and that was plenty for me. If you get a Museumkaart, you can go in multiple times.

There are a few more museums I’m interested in, but there’s nothing hugely pressing. I still have five days to fill and seven museums on my list, so  I am off to do some holiday closure research. 🙂

Also, I will have another post up in a few hours, a 2016 recap.

The Amsterdam Museum

I worked for several hours this morning and headed out around one for a late lunch and a visit of the Amsterdam Museum, which is all about the history of the city.

I made sure to pack everything I needed for my excursion, including my pretty (but obviously very cheap) new Museumkaart bag that I’ve been using to bring home my supermarket purchases. I regretted not packing such a bag when I left home all those months ago and am impressed with how much use I’ve had out of it so far.

It folds up into a little pouch.

I went across the street to throw out the trash and found that someone did some serious clean up. Yes, that’s a bag of VHS tapes.

I’m slowly starting to orientate myself and could get most of the way to the museum without needing a map. This meant I could notice things I’d missed on previous trips, like my life motto on the wall of this canal: “Memories are souvenirs too.”

I made a withdrawal and was pleased to pay only 145CAD for 100euros. A few months ago in Montenegro, I paid 155CAD. My money is going further!

Google Maps once again failed me, which is no surprise, but I managed to find the museum on my own with a minimal amount of wrong turns. Then, I wandered around the Dam for a bit and found a restaurant that had a good burger deal, so I went in. I ended up waiting 20 minutes to be served a beer and be told that they were out of burgers and only had omelettes left! I felt like telling them to just keep the beer, but it was a small one so I decided to treat it as my appetiser. This enormous waste of time was almost worth it for an exchange I had with a little girl at the table next to mine. She was reading the menu and asked her father about four times, “Papa, c’est quoi un ‘Italian roll’?” (Daddy, what’s an ‘Italian roll’?) I took pity on her, leaned over, and said, “Un Italian roll, c’est un pain italien!” (An Italian roll is an Italian bread!”) She looked at me wide-eyed as a grin took over her features and gave me a very grateful, “Merci!”

By the time I was able to pay and leave, it was two and most restaurants were done serving lunch. Yes, I appreciate the irony. So thank goodness for finding falafel, and some of the best I’ve had outside of the Montreal-Ottawa corridor at that! And since lunch was fairly inexpensive by Western European standards, even with the beer, I had an ice cream after. Let me tell you, Ben and Jerry’s is very disappointing after months of gelato! It’s very popular here, but having had it twice now, I think that’s it for the rest of my life.

So back I went to the museum. Its entrance is very crooked!

The main part of the museum is about the history of Amsterdam. It was a lot of talking from the audio guide and reading from the signage. I’m just going to make a few general notes of what I learned, but, really, I cannot do justice to a whole museum devoted to the topic.

One of the questions I didn’t realise I had about Amsterdam, but which is obvious in retrospect now that I have the answer, is how the heck did the city come to be?!

Let me share two illustrations to make my point. Here are some major cities of the world. The dotted line is sea level.

Now, here is Amsterdam. Notice that most of it, including the airport, is well below the dotted line.

Well, Amsterdam started like many cities do, as a village in the mud at a strategic location. Buildings were on piles and, over time, more land was drained, canals were built, the dams were constructed, etc. I saw lots of period maps showing how the city grew over the years and much of the development and plans for expansion were carefully calculated.

Amsterdam is built on mud and it’s its millions of piles that keep the city from sinking into that mud. Excavations into the mud often reveal interesting artifacts, like this perfectly preserved shoe from the late 13th century!

It was after two major fires that the city was finally rebuilt in brick and stone. Can you imagine how much weight that is on piles?!

Amsterdam was once a Catholic city, but broke away from that faith and moved to Protestantism. Catholicism then had to be practiced in secret and Catholic nuns and priests were driven away. But as long as Jews stayed away from Christian women, they were welcome because of their positive impact on the economy.

I still dream of a home with a dark panelled library and such a wonderful old globe. 🙂

Amsterdam was the home of the Dutch East India Company and claims to have been the centre of the world for at time. The company went bankrupt in 1799.

The city was governed by a group of men called burghers. I love how contemporary this picture of a group of burghers feels. Take away their period clothing and I could see them talking about the latest gadget.

Looking down to the psychedelic carpet I photographed on my walking tour.

I learned that Napoleon’s forces invaded Amsterdam and that the city was under French control for a time, which is when the town hall became the Royal Palace.

Bust of Napoleon.

One of the most interesting facts I learned in this early part of the museum is only just how recently Amsterdam has been easily linked to the rest of the world, considering it was the home of an international trading company. First, a North Sea Canal in 1876. Then, the Central Station for trains, built on three artificial islands in 1889. The first cars appeared in 1900 and, get this, 1916 is when the original Schiphol Airport opened! Yes, 100 years ago! It was originally a mud field for military aircraft, but in 1920, regular service began with an Amsterdam-London route that was flown by 440 passengers. More on Schiphol in a bit.

There was not much about why Amsterdam is such a bicycle friendly city, as though they take that mode of transportation for granted. But I can gather that much of modern Amsterdam grew at the same time as the bicycle came into fashion and it was just the most logical way for folks to get around.

You could ride this bicycle in front of a screen playing a scene from 100 years ago and one from today.

Anne Frank is the face given to the thousands of Amsterdam Jews killed in the Shoah. Amsterdam claims to be the only city that held a protest against the treatment of its Jews. The city ultimately “lost” 66,000 of its 80,000 Jews.

Anne Frank

There was a whole section about how tolerant Amsterdam is and that it was the site, in 2001, of the first same-sex weddings in the world. This section also described how ethnically diverse the city is. I have to say that I couldn’t help but notice upon landing at Schiphol and going to the attached train station that almost all the employees were black. I saw a lot of black people in southern Spain, which makes a lot of sense with Africa being as close as it was, but I didn’t see a lot of non-white people in the Balkans. I’ve also seen a lot of Asian people here. It’s refreshing. I’m still not used to living in Canada in an area where everyone looks like me, having grown up in a part of the country that is truly a great big tossed salad of human diversity.

Here is the very first map ever drawn of Amsterdam. If I recall correctly, it dates back to the 1500s, before the rings of canals were built. North is down, to highlight the harbour. That harbour is now the area of Central Station.

There was an exhibit about Dutch cruelty at its Suriname plantations. Looks like Americans and the Brits don’t have an exclusive monopoly on that sort of thing.

Waterland Plantation in Suriname.

Bunch of armour.

From the main part of the museum, I moved to exhibits about the 100 years of Schipol Airport’s history. The original site was expanded until it was completely destroyed during World War II. It was rebuilt a few kilometres away and has been expanding ever since. The airport is almost a city as it has restaurants, stores, a museum, and many services. It is so much below sea level because it was built on a drained lake.

Modern Schipol Airport came into being in 1967, with four runways facing different directions so that planes can land and take off  in whichever direction the wind is blowing. The new terminal had travelators, tax free shopping, and is more functional in design.

Did you know that one of the biggest robberies in Dutch history, a diamond heist, happened at Schiphol?

Today, Schiphol is connected to the entire world. Compare those original 440 flights to the 58 million in 2015, of which 23 million were connections.

There was a fun booth where I got to play the role of a passport control officer. 🙂

2003 saw the opening of a sixth runway, Polder, which is the airport’s longest. It exacerbated noise problems in the area, so the debate about environmental norms is ongoing.

There was a series of panels about the future of travel and how we will stay safe. I was struck by this phrase, “The sky is not the limit.”

The Amsterdam Museum is a bit of a maze and exhibits overlap. I found some interesting information about the city’s coat of arms. The three crosses are actually of St. Andrew’s, supposedly because the apostle was tortured to death on such a cross. The origins of the rest of the design are unknown.

There was a brief exhibit about how Amsterdam is dealing with the influx of Syrian refugees: by welcoming them with open arms.

The exhibit about the squatters’ riots of the early ’80s had a lot of dramatic photographs. These riots led to the creation of a lot of affordable housing in the city.

This tram hit an oil patch from a truck accident and derailed.

You can read more about the squatters’ riots:

There was an in-progress exhibit about the creation of a city and a home that made me think of all the homes I’ve lived in and viewed over the years. It doesn’t matter whether you live in a hut with a dirt floor and no power or a luxury mansion with all the modern conveniences, you will have a place to cook, a place to wash and t0 use the toilet, a place to sleep, and a place to live. Sometimes, it all occurs in one room, sometimes there’s very little furniture involved, but, ultimately, human needs for a home are the same the world over.

This is a kitchen from the Jordaan part of Amsterdam in the early 1900s. The toilet bucket was right in the kitchen.

Around 1275, Amsterdam had a single neighbourhood, one line of houses along the Amstel River, which gave the city its name. More neighbours emerged as the population grew. The first canal rings were built in the 17th century.

There was an exhibit about Amsterdam’s policy of turning a blind eye when it comes to the use of soft drugs while being tough on the hard drugs. This has led to the number of junkies in the city staying around the same level as in the ’70s and the junkie population is getting older since young people don’t have access to the hard drugs. The current estimated population of junkies in Amsterdam is 5,000. There are about 850,000 residents in the city.

There are lots of rules regarding Amsterdam’s coffee shops, which are a place to smoke marijuana.

The Netherlands, in 1988, was the first European country to launch an open Internet connection. Compare that to a certain country that shall remain nameless that just decided to meet within the next many years norms that are already obsolete in most of the rest of the world.

I learned more about the Dam, which is the most famous square in the Netherlands. Since the ’50s, it has increasingly been the scene of protests and demonstrations.

There was an0ther exhibit near the end about the occupation and subsequent liberation of the city during WWII. I saw some great archival videos of Canadian troops marching in. No matter how much my country embarrasses me today, I recognise that much of Europe still sees us as the badass warriors we once were. Canada and the Netherlands are particularly close, not just because we liberated the country, but also because we sheltered the Dutch royal family during World War II and Princess Margriet was born at the Ottawa Civic Hospital. All of this is the reason why Ottawa has its wonderful Tulip Festival every spring.

It was only upon exiting the museum that I learned that its building was once an orphanage. Children played in this courtyard.

The building was the Civic Orphanage, one of the oldest and best known children’s homes in the Netherlands. Tens of thousands of children grew up here between 1580 and 1960 (WOW).

The courtyard is now a seating area for the museum café.

In the 17th century, 1,000 children might have lived there at one time, with four children sharing one bowl. They drank “small beer” every day. That is, a beer with a low alcohol content, which was safer than drinking water.

In 1960, the orphanage moved to a modern complex and after a massive renovation project, the museum opened in 1975.

This was an interesting set of exhibits. The bottom windows are about the orphanage and the upper windows are about other museums in the city.

I liked the contrast of the worn stone step with the worn wooden floor planks.

It was almost time for the museum to close by this point and I still had work to do, so I headed home, pleased that I could get there without any help. I’m really learning my way around my parts of this compact city. By the way, I’m really liking Amsterdam. It would be lovely to live here one day for a bit longer and I can actually see a way that that could happen — if I ever get to a point where I could afford the cost of living here, of course!

The only negative thing I can say about the city is that it’s really crowded now that the holidays are done! So getting around isn’t as much fun as my first couple of days, I’m afraid, and I’m getting tired and cranky a lot more quickly. 🙁

I passed an English language bookstore with a sign that made me laugh.

I went in since I had something on my list I’d been meaning to look for.

The title of this book reminds me of one my favourite sayings: “Every time I make ends meet, someone moves the ends.”

I wanted a 2017 diary and found exactly the perfect thing (pink one on the right). It looks rather nice next to the Moleskine notebook that I bought at Harrods in London! You’d never guess from how it still looks so pristine, but that notebook has gotten a lot of use!

I headed back out into the throng and found the Le Creuset store. I really want one of their Dutch ovens! Maybe once I settle in Mexico…

This is the halfway point of my stay here. I have exactly eight days left. My work for the next couple of days is pretty heavy, so I will probably just explore by immediate neighbourhood. There are still a couple of museums I’d like to see and I really want to go back to the Rijksmeum, but I’m really pleased with how much I’ve been able to do within walking distance of my flat. Some of the museums left on my list may require the use of the tram, if only to save me some time.

I hope you enjoyed learning about the history of Amsterdam. I find it a fascinating city!

Tassenmuseum Hendrikje (Bags and Purses), Museum Willet-Holthuysen, and Rembrandt House Museum

I slept in a tad this morning and took it easy since I’ve been getting up early since I got here. I did a bit of my work for the day and set off late morning for the third museum in Amsterdam that I might have visited had I had to pay piecemeal for each entry: the Tassen Museum of Bags and Purses, the largest such museum in the world.

The sky was a strange colour as I stepped out of my flat.

I love this purple building at the end of my block, a good example of how a building can be colourful, but not garish.

Moped parking spaces.

What is that blinding thing in the sky?!

A museum devoted to cat stuff. Sadly closed today.

The Museum of Bags and Purses is in a canal building and the exhibits cover the history of bags from the 16th century to present day. The building housing the museum was built in 1664 for a former mayor of Amsterdam, Cornelis de Graeff, and restored as the museum in 2007.

I took about 50 billion pictures in this museum, but since everything was behind glass and I couldn’t use a flash, not many came out well. So I will show restraint. 🙂 I went through twice, so the pictures are going to be out of order. You enter the museum into a ground floor bag shop and then go up to the third floor to then work your way down.

Gaming purses.

Beaded bags were quite a luxury. They were first knit, then woven. Some have as many as 50,000 beads.

The need for sturdier bags made leather popular as the train travel age started.

Tortoiseshell was popular, but expensive and finicky. Advances in plastics made it possible to create replicas.

Snake skin with ivory clasp.

Prickly pear fibres and lace, dating back to 1789!

Chatelaines, which hung from a belt and then things like a thimble, watch, keys, sewing kit, etc. would hang from them.

Bags with silver frames were passed down from mother to daughter. The frame would be reused with a new bag.

Men’s leather bag. Bags for men fell out of favour as their clothing got pockets.

Very similar to chainmail.

Until recently, it was mandatory for Dutch schoolchildren to have a leather bag like these. Now, many use backpacks.

These were used before the leather bags. They held a tablet and stylus and served as a lap desk.

Novelty bags.

I like the stegosaurus look with the turquoise knobby bits.

All sorts of travelling cases.

These were popular as plastic became a common material.

Tulip bag.

I had to pay a 1.50 euro surcharge as they have a special exhibit about royal bags. I breezed through this on my first pass as it was crowded.

These belonged to Queen Elizabeth II.

I had kind of sort of thought to treat myself to a cream tea in their café, but it was closed today. I was told to help myself to free coffee or tea and cookies, though! Wow! Am I glad I didn’t get a coffee before going in and, of course, this rather makes up for the supplement I had to pay. 🙂

The café setting is extraordinary.

The crowd had gone through, so I went back to the top and started all over.

This 16th century bag had secret compartments. Intriguing.

Very pretty. Kind of looks like Mount Fuji?

Closeup of chatelaines with “stuff” on them.

Yup, Charlie Chaplin.

Very heavy cut steel bags.

See the teeny pencil?

Art Deco bags.

The SHOES!

Peacock feather bags.

Lobster bag, LOL

Margaret Thatcher’s “Weapon.” Google it!

Gateau (cake) bag.

“Socks” bags after the Clintons’ cat. To the left of it is a picture of Hillary Clinton holding it.

Versace bag used by Madonna at the premiere of “Evita.”

Sunflower bag.

Love the budgies.

*Swoons* Love that snake head clasp!

This bag was held by a member of the Dutch royal family and we got to see how it was selected and dyed to match the dress.

This jewel was in a toilet stall!

And this one in another stall!

Wall hanging.

Amusing donations box.

I’m always attracted to bags with such bright colours (we’re in the shop now!).

The Tassen Museum of Bags and Purses was incredible. I am a real bag nut, but not in the sense of wanting expensive designer bags that I’m afraid to use. I love finding unique bags at thrift shops, especially well worn leather ones. I have little patience now for bags made of PVC that will age quickly. There were so many bags in the shop that I would have loved and not all were at terrifying prices. I would definitely consider this museum a place to shop for a nice bag and I think it would be lovely to have high tea in their café, although if you factor in the price of admission, it’s extremely pricey. Definitely something I’d consider if I was a Museumkaart owner living here full-time, as that would reduce the total cost immensely.

I didn’t get anywhere near the next museum on my list when I passed one that was right up my alley, but hadn’t been on the list of Museumkaart member museums I’d consulted. I’d figured out that that list was outdated since none of the admission prices were right. So I went in and asked if I could get in free. Yes! It is the Museum Willet-Holthuysen, which gives you the opportunity to wander all through a canal house that was willed to the city of Amsterdam for public use in the 19th century. I’m a bit of a voyeur in that I like to go through houses and see how they’re decorated, so I could not miss this!

You know straightaway that the family was rich because they had one one set of stairs but two leading up to the front door. But you enter the building through the basement door.

Looking down the basement hallways to the kitchen and the back of the house.

All of these items were crocheted, LOL!

Some of the kitchen wall tiles had interesting details.

Even the clock was crocheted!

The secondary kitchen, for messy chores.

The garden at the rear of the house.

Look towards the front of the house.

You then go up this magnificent staircase to the first floor of the house, with the public rooms.

The front door.

The house had a doorbell.

The women’s salon, where the owner, Louisa Holthuysen, received her guests.

The ballroom, where they had parties.

The stunning blue “club room,” where the husband, Abraham Willet, received his male friends.

Love that painting at the top.

The ceiling.

Love this painting too.

The dining room had a low ceiling because there is a pantry above, halfway between this floor and the next. The brochure said the pantry was not open to the public, but it was. Signage throughout the property indicates that they are constantly renovating it, so I guess the brochure is a tad outdated.

Now into the conservatory at the rear of the house.

Signage says this room needs a lot of work to return it to its former vibrancy.

Heading upstairs to the private rooms, I found the entrance to the pantry. This room would have held a lot of valuable items, so only the mistress of the house would have had a key and the room would have been regularly inventoried.

Heading up from the pantry.

Skylight.

This staircase would have led to the garret, which had the laundry facilities. To the left is Abraham’s library.

Can you see the door in the corner? It led to one of Louisa’s rooms. This way, they could go see each other without having to pass any servants.

My flat has a seat like this. Really like it. 🙂

Can you imagine sitting at that desk looking down to the garden?

There is another “secret” door in the library, but there was no mention of where it leads.

Stained glass in the hall.

Garish carpet in the “collection room.” Louise and Abraham were very well to do and did not have children. They spent their time collecting art and socializing.

The incredible wallpaper in the collection room.

The rest of the house was “modernised” by Louise and Abraham when they married, but this room kept the traditional dark wood Dutch furnishings from a hundred years prior.

Then, the bedroom.

The bed was actually two twin beds pushed together.

The wash area. Hot water had to be brought up from the basement.

Another secret door.

Chest in the hallway.

Abraham and Louisa. She inherited the house from her father. They married in their late thirties.

The final spaces exhibit some of Louisa and Abraham’s things.

Hat and umbrella stand (I think) by the visitor entrance.

The two entrances.

What an extraordinary treasure this museum was!

I headed towards my next destination and kept my eye out for food along the way. I’m really not into the whole holiday thing, but there are some decorations that I really enjoy. These are so pretty.

WHAT IS THAT???!!!

Drawbridge over a canal.

Chipotle-style burrito shop.

Back of the house, with the garden again.

Approaching Rembrandt Square. I went the opposite way of my next destination, but this area was my best bet for lunch.

Statue of Rembrandt with The Night Watch.

Lunch!

NOT New York style pizza, but it hit the spot!

This is a cinema.

I prefer the real kind, thank you very much (yes, this is candy sushi!).

There are so many wonderful cheese shops in Amsterdam.

I found a second-hand store where you pay by the weight. A tee-shirt is about 5 euros and a kilogram costs about 35 euros. They had really lovely stuff.

My final destination of the day was the Rembrandt House, which he owned before foreclosing and going bankrupt and in which he painted many of his masterpieces. Again, I’m not a fan of Rembrandt, so I wouldn’t have paid to do this, but I thought it would be interesting to see his studio and, of course, I like house tours.

Well… I was about to start in the museum when a staff member told me I had to check my purse. That was not going to happen! I’ve never been asked to check it before as it is not huge. I told her that I had all my valuables in it and would take care to not have it hit walls or anything. She sarcastically retorted that I don’t care about my stuff since the zipper was open! What business is it of hers if I choose to have my bag open somewhere that there is nobody around?! So that set a sour tone for the tour.

Then, employees hovered around me during my entire time in the museum. I thought I was imagining things, but one guy followed me almost all the way through and whenever I’d look up, I found him staring at me. Finally, I got told off for trying to take pictures (no flash) when literally every other customer was taking pictures and not being told to desist! All I can think is that because I didn’t pay for admission, I wasn’t considered a real guest?

So needless to say, I didn’t get much out of my visit because I was so distracted and I rather regret expending the energy of getting to the Rembrandt House. It is crazy expensive (12.50 euros) and quick to tour, so I don’t recommend anyone go unless they have a Museumkaart and/or are huge fans of Rembrandt.

At any rate, the audio guide was really good. The most interesting thing I learned is that people at the time slept in a sort of cabinet and that they reclined rather than laid flat.

When Rembrandt declared bankruptcy, an inventory of all his possessions was made. That combined with sketches he made of his home made it possible to furnish the restored space very realistically. It was interesting to see his collections room with things like seashells, exotic stuffed animals, and books. A few of his works are exhibited in the house, including those of four of the five senses, the first of his works that I actually rather like.

But, of course, the pièce de résistance was his studio. What struck me when I came into it was the light. It was a good reminder that I should place my own studio where it faces north to get that soft consistent light that is so perfect for a painting studio. There was someone there demonstrating how Rembrandt would have made his own paints and I got to smell that wonderful scent of linseed oil I love so much.

Upstairs from the main studio was another studio where Rembrandt’s students studied. It must have been cold up there in winter as there was no obvious source of heat the way there were two stoves in Rembrandt’s space.

Finally, there was a series of rooms with drawings and etchings made by some of Rembrandt’s students. I was tired by this point and ready to leave, so I rather breezed through this and didn’t even catch the artist’s name. I just wasn’t keen on his style.

It was mid-afternoon by this point and I was done. I asked Google Maps to get me home and decided I couldn’t justify a tram, so off I went.

Amsterdam is very damp so you see mossy footpaths all over the place.

I was afraid to ask the price of that cute Batman purse in case it was affordable!

While I knew that Maps was sending me in the right direction when I set off, I found myself walking longer than expected without having to turn. I realised that Maps had stopped navigating and that I was farther from home than when I’d started! This would happen three times before I figured out that because I was asking Maps to navigate to a landmark that was closed, it figured I was an idiot and didn’t mean to go there. Google’s idiocy never fails to astound me! And I was using the landmark because Maps doesn’t recognise my address. *sighs*

I put the app away in disgust and decided that even though I was really getting too close to home to make it worth taking a tram, I would. I passed the blumenmarkt on the way, a floating market selling all manner of flowers and bulbs.

There was a bit of a wait for a tram when I got to a stop, so I popped into the supermarket right there to get some dinner stuff (been shopping daily) and when I got out, the tram was just pulling up. It felt absolutely ridiculous to pay 4CAD to go about four stops or just shy of 2KM, but I was footsore (still breaking in my new boots) and really tired as I hadn’t sat down since I left except for the few minutes when I had my coffee. My tram driver was really sweet!

I got in and went straight work, then made a curry for dinner. The Patak sauces that I like that are such a luxury in Canada are super cheap here (but of course), so I’m working my way through all the flavours I haven’t tried yet. Why not? 🙂

This will be my last really full day out for a bit as I have larger quantities of work to do every day. But I should still be able to go out to do a museum every afternoon.

My Museumkaart has already paid for itself and I am 22 euros or 32CAD ahead!

A Visit to the Anne Frank House

Diarist Anne Frank should require no introduction. Visiting the house where she and six other people hid for more than two years during World War II was the number one thing I wanted to do in Amsterdam. Yes, the Van Gogh Museum was second.

Entry into the Anne Frank House can be a bit difficult. You can book a time slot until about 3:30PM most days, or else show up before then and queue for up to several hours in the hope of getting in without an appointment. All time slots for my entire time in Amsterdam have been booked for weeks, so I thought I was going to have to queue and hope for the best.

Well,  today, Christmas Day, access was only with booked time slots and because I kept checking back on the site, I managed to snag a last minute cancelation for the first time slot! Talk about something being meant to happen.

It was a dark, cold, and bleak morning when I left home around 8:15 and I seemingly had Amsterdam all to myself. While I had purposely avoided passing the Anne Frank house in the the past few days, I had travelled other parts of Prinsengracht Straat, on which it is located, a few times and so I knew where to go.

I’ve seen these cute cars all over Amsterdam.

Seeing the Westerkerk, which she so often references in her diary, was the moment of realisation that I had arrived.

And here’s the house. You can see the museum entrance space well lit up. To the left of it is a house with a pale foundation and stairs. To the left of that is a house with black doors. That was the location of Otto Frank’s business, with the offices above and the Secret Annexe behind.

I walked on the opposite side of the canal (to get a better view of the house) and had to double back. So here is a view looking the other direction to the Westerkerk.

And here is the view across the canal that Margot and Anne would sneak peeks of on their bathing day in the front office.

Here is the church tower that they could see from the Secret Annexe.

Daylight shot up close.

Here, I’m around the block in front of the Westerkerk, trying to get a glimpse of the Secret Annexe. This is when I understood just how they managed to be so well hidden. You cannot see the extension from the street and with all the buildings being stuck together, even if you can see it from another building, it’s not clear to which building it belongs.

The Westerkerk in daylight, from the other side.

I arrived around 8:50 and there was already a queue forming for those with tickets for nine. Anyone with a ticket for a later time, even 9:30, was told to leave and come back no earlier than five minutes before their turn. I had to queue for almost 10 minutes in needling rain. That felt exactly right.

I had no trouble gaining entrance once the line started moving, although I had to increase the contrast on my phone so that the scanner could read the bar code.

From the entrance, guests move towards the actual house, with pauses to watch videos and read informational placards. I did not feel rushed or crowded. The first space recognisable from Anne’s diary is the office where Miep Gies and other helpers would work and where Anne and her sister Margot would bathe on Saturdays. We then proceeded from there up a very steep staircase to the Secret Annexe.

I think the museum does a very good job of leading guests through the spaces in a fluid manner while still preserving some of the original flow between them. So I got a good sense of what it would have felt like to move between the office space and the Secret Annexe, up a very, very, very steep flight of stairs, although not the set of stairs that were actually used by the helpers, which are at the back of the house.

One thing that I was very pleased about is that we were able to go up behind the (reconstructed) bookcase and that it had been preserved perfectly, with the low door and giant step up that Anne described so clearly. This is a stock image of it:

The actual living space was much more spacious than I expected, although I can imagine it didn’t feel like that for seven people all crammed in with their furniture and belongings! The rooms are fairly empty, but traces of Anne and her family remain. She described how she pasted images on the walls to make her room cheerier and all those images were there. We can also see the marks on the wall where Otto Frank marked Margot and Anne’s growth. The incredibly beautiful toilet in its own room was a surprise and I wish I could have asked if it was the original:

Outside of the toilet room is a room with a sink, but there is no bath or shower. Upstairs, there was also a proper kitchen, with a stove and a sink with counter space.

We were not allowed up into the attic where Anne would sneak away for a breath of fresh air, but we could look up the very steep staircase there and get a glimpse of the church tower.

Here is a fantastic tour of the space that explains it better than I could with words or even a floor plan and it has the same flow as the tour:

(You step through the bookcase at about 1:10.)

At the very end, back downstairs in the modern museum space, you can see many of Anne’s diaries and original papers, including the iconic red and white checkered journal she got when she was 13. Her handwriting is very neat.

There were several videos throughout the tour. I heard in English testimony from Anne’s best friend Hanneli Goslar about encountering Anne at the Bergen-Belsen concentration camp just before she died and managing to get food to her. Anne thought she was all alone. Hanneli, who is still alive, believes that if Anne had known her father was still alive, she might have found the strength to survive:

One of the final videos was a testimonial from Otto Frank, in English, talking about his first experience reading the diary. He said that Anne spoke about a lot of things and criticised much, but not to the depth he discovered in the diary. He was surprised by what she wrote and that despite being close to Anne, she was such a different person than he thought. His takeaway is that some parents never really know their children:

Finally, there was a video with various celebrities, authors, guests of the museum, and people in Anne’s life giving their impressions of her. One of her friends said, “She didn’t die. She was killed for being a Jewish girl.” A WWII soldier who fought to liberate Holland had this to say after learning about Anne, “Now I know why I fought.” And the title of this video comes from a speech Emma Thompson made at the Anne Frank House, “All her would-haves are our opportunities.”

The last object I saw was a surprise and added a bit of levity to the situation, Shelley Winters’ Oscar for her role in The Diary of Anne Frank. I was surprised by how cheap the statue looks! Ms. Winters had promised Otto Frank himself that she would donate the Oscar to the museum if she won and he told her that would be difficult for her to do so. Kudos to her for actually doing it.

In the last few weeks, stunning new evidence about the Secret Annexe has come out: that it’s possible that Anne and the others were not betrayed and were instead found by chance. I find an immense amount of comfort in that there is such a strong possibility.

Visiting the Anne Frank House was like going back to a place I’d been before and knew well. I cannot believe I had an opportunity to visit it. This year has been full of surprises.

I felt rather shattered when I came out an hour after entering. I’d thought of trying to find another museum that might be open, but I was done for the day. I wandered a bit around Dam Square, trying to clear my head, and then headed home.

The Royal Palace from the other side of Dam Square.

Atlas with the weight of the world on his shoulders.

I thought of stopping at a café for a second breakfast, but the few open ones that I passed were very expensive. When I came upon an open Albert Heijn supermarket, I popped in to see if they might have fresh baking to have with coffee at home, a genius idea if I do say so myself. For 9 euros, I came out of there with a chocolate croissant and mixed fresh fruit (apple, pineapple, mango, grapes!) for a second breakfast, as well as some prepared Japanese dumplings and a very nice tray of sushi for a late lunch! If there’s one thing I wish I could take home from my European adventures, it’s an Albert Heijn supermarket. With so many of them around, their low prices, and their offerings, I don’t even want to eat at restaurants!

That turquoise and orange was a welcome bit of colour on a bleak morning.

I got in, had my second breakfast, and then started to pick away at a largish job due tomorrow night. My thought was that I could make large enough headway on it to be able to take it slow tomorrow, head out to do a museum or two, and then finish up in the evening. That wound up being a pleasant enough way to wile away the afternoon (the work was interesting) and I paused around two to have my dumplings and sushi, which were really good for being of the supermarket variety!

Just shy of four, I got a lovely present. I’m minding two cats here and one is an aloof grumpy old man who wants very little to do with me. Around four, he gets wet food. Well, I was just thinking that it was time for that when he came downstairs, rubbed his head against my legs, looked me straight in the eye, and said, “Meow?” I gave him his food and before he ate, he let me give him a short scritch under the neck. Progress! 🙂

So I’ve done all that I really wanted to do in Amsterdam. I can now relax and take in all the wonderful bonuses the Museumkaart offers me. 🙂

A Well Planned Day In Málaga Does Not Go According to Plan

I had a lovely Monday evening in Málaga. My host was in and I felt comfortable hanging out in the sitting room while she made dinner. We chatted, a glass of wine was offered, and before I knew it, I was sharing her meal! It was almost ten by this point and I’d had my dinner, but rice noodles with veggies went down very well! I got to know a bit more about her and she about me. I marvelled that I could understand her as well as I do when I struggle so much with speaking. I know, I know, I need more practice like this! I’m taking some conversation classes when I get to England (!) and will find some when I get to Mérida. I want formal one-on-one sessions where my mistakes are corrected.

I eventually called it a night and got up late again this morning to find that she’d left out a pile of stuff for me to have for breakfast if I wanted. I have some of my own things, but the fresh bakery buns have been a treat! I planned my day over breakfast, making a list of a couple of museums that seemed interesting and something to do.

My first stop today was a nearby train (underground) station my host directed me to, saying that it is a much easier and cheaper way to get to the airport. I found it easily thanks to her clear instructions and will definitely be using it to get to the airport tomorrow. She’s amused that I’m leaving at eight for an 11:30 flight while I’m freaked out at not being at the airport at least three hours before my flight!

My next stop was just a few blocks away. I passed an artists supply store on the way. I miss oil painting so much and have promised myself that I’ll take it up again when I get to Mexico.

I used to have a suitcase with all of these things in it.

So my next stop was the central market:

Inside, there was brisk business going and throngs of people. I saw fish, meats, and seafood, but no produce in the parts that I explored.

So many olives!

Here’s that amazing stained glass from outside.

What an interesting building!

I then wandered by the waterfront and remembered that I wanted to check out the Ferris wheel. I decided that if the cost for a ride was less than 20 euros, I would do it!

The cost was only 10 euros! I got a car all to myself. This is the Mirador Princess and moves from city to city. It is the tallest itinerant Ferris wheel in Europe. The London Eye is much taller, but is not strictly speaking a Ferris wheel.

Looking towards Alcazaba.

Africa is off in the distance.

A sign that I’m on my Path!

At the top!

The lighthouse.

Shipyard.

Done! It was so fast and, to be honest, I was rather disappointed because I barely had time to see anything.

Oh, wait. Off we go again! I was SO happy! I didn’t take many pictures the second time, preferring to soak in the view.

To my immense delight, we went around a third time! This time, I was stopped at the top for more than five minutes!

Here’s a terrible video I shot while I was up there. Unfortunately, the app I used to use to edit doesn’t work the same way anymore and I don’t know how to cut things out. So enjoy my stream of consciousness… 🙂

I then walked along the waterfront. It was cool, but the sun was bright and almost hot. I knew I had to savour it as this is likely going to be my last sunny day in months…

I like the name of this malecón area, palm grove of surprises.

Look how the shadows add interest to the structure.

I found the maritime museum, which I hadn’t seen any of the Málaga museum lists. It was seven euros and something told me not to bother.

I headed back towards Centro.

I spent quite a bit of time on the Ferris wheel trying to figure out this picture. At first glance, it looks like the iconic image of a mother with her children during the Depression, but doesn’t it look like actor John Malkovich?! It is. He was part of a project where he recreated a bunch of iconic photographs. Striking!

My next stop was the Palacio de Aduenas (palace of customs), the new home of the Málaga Museum. Its brand new, only a week old, and there is almost zero information about it online. I just knew that it houses in one building fine arts and archeological exhibits. It sounded like my kind of museum and more interesting than anything else I thought to see today, but I didn’t know if it’d be open or even affordable.

The museum turned out to be free for EU residents and a whopping 1.50 euros for others. 🙂

The building is beautiful. The ground floor has the lobby, the first floor has fine arts, and the second floor has the archeology collection.

I did the first floor backwards for some reason and started with the history of the customs house and the Málaga Museum. There were marches in the street demanding that Málaga’s iconic customs building become the new home of the city museum. It was amazing to see such interest in the project!

And then, I moved on to the fine arts portion of the museum, where I started with this rather interesting portrait of Fred Astaire.

I’ll just share a few things that struck me.

Emigrants.

NOT a peanut…

This is an orange tree.

This autopsy scene had me mesmerised!

A mother with her children.

Artist’s son. Looks like a spoiled brat, no?

This one got a WOW from me!

The English translation on this one made me laugh since French is apparently the language of fine arts. “Plein air” means “outdoors” and “rapprochement” means becoming closer.

Scenes from Venice.

I loved this nearly photographic scene!

This “gloomy winter” scene reminds me of home.

I then headed up to the archeology portion of the museum.

I like how they kept the neoclassical feel of the space, but incorporated more modern features as well.

The building is around a central courtyard.

Most of the exhibits in this section were behind glass and did not photograph well at all. I learned about the history of the region, from Neanderthals through to the Middle Ages. So interesting!

Neanderthal bones.

A recently discovered tomb that was in perfect condition.

The first of several wonderful mosaics.

This incredible mosaic was found by a guy renovating his house. It features Venus at its centre.

The museum was not shy about admitting that there are artifacts located in it that have nothing to do with the area, but were brought here to build a fake history that would strengthen Spain’s ties to the Aryan race during WWII. Here’s Himmler during his visit to Spain.

I was sad that I could not go out onto the balcony to view these in greater detail.

When I was done with this part of the museum, I took the stairs up that modern wooden box I showed earlier. At the top, I got to see the roof tiles close up. Can you see why they are remarkable?

They are etched with a scene from Málaga! There was no signage directing me to this. What a find!

I was about to leave when a guard asked if I’d visited the almacén. That’s a word I learned on the way from Almería and knew as meaning “warehouse.” Here, they mean it as a storeroom.

So many more treasures! This wound up being my favourite part of the museum!

Another guard came over as I left this section and told me to open all those drawers! One surprise after another! By the way, those museum guards were so kind and attentive!

Hands to go with the collection of feet.

Coins.

Lamps.

Bottle stoppers (I think).

Pipes.

A plate with my initial on it. 🙂

This one made me gasp. I can’t believe it’s shut up in a drawer!

There was a section of models.


Alcazaba.

Gorgeous!

This pitcher was a lovely rose colour; rather unusual.

I was able to access the courtyard from the ground floor.

I do believe that’s a pineapple.

Looking up to the modern roof.

I spent almost three hours at this museum! It was too late to do anything else on my list! I found a menú del día for a very late lunch (inexpensive, adequate, but nothing to write home about), and then headed home to start packing!

I ended up having a little work to do this afternoon, so I didn’t go back out again. It’s now getting late and I have an early start tomorrow, so I’m signing off. I’m not sure where my time in Spain went, but by this time tomorrow, I’ll be settling into my new life in Amsterdam. The adventure continues!